Remembering Guru Dutt.
Guru Dutt, the veteran actor was a dreamer, a curious breed who impressed all with the films he made and brought an extension of his personality in his films. 97 years ago, an actor was born in Padukone, Karnataka. When an astrologer told his mother, that he would be world-famous, she shied. Little did she know, it was indeed going to be true. Guru Dutt, was a talent hub, someone who brought real-life onto the reel life.
On July 9, 1925, Guru Dutt was born to Vasanthi and Shivshankar Rao Padukone, a school headmaster. He was named after Vaishnava saint Madhavacharya, the great philosopher.
Guru had a disturbed and financially difficult childhood. Due to his father’s short temper, he did not have a close, emotional relationship with him. However, he did inherit his father’s short temper. As a kid, Guru Dutt was stubborn, never a talkative child, but shared a beautiful relationship with his mother. Lalitha Lajmi, the eminent artist was his younger sister. He was married to playback singer, Geeta Roy.
Guru Dutt developed a love for languages and books at a very young age. He could speak English, Hindi, Konkani, and Bengali. He was also drawn to the Jatra, a form of theatre when his family lived in Kolkata. Here, he developed an interest in the art of light and shadow. He also met B B Benegal, the person responsible for introducing Dutt to the world of Indian cinema.
The act of three
Guru Dutt was an artist- an actor, director, and producer. However, according to Yasser Usman’s book, “Guru Dutt: An Unfinished Story”, Guru Dutt always underestimated himself as an actor. Three of his movies, ’Sahib Bibi Aur Ghulam’, ‘Kaagaz Ke Phool’, and ‘Pyaasa’, are among his most notable works.
‘Sahib Bibi Aur Ghulam’ was India’s official entry at the 13th Berlin International Film Festival. The theme of ’Pyaasa’ was inspired by his father, the story of a heartbroken poet. In ‘Baharen Phir Bhi Aayengi’, his last movie, he played the role of a reporter. By 1956, Guru Dutt secured himself a place as a promising filmmaker with four big successes as a director – ‘Baazi’, ‘Aar Paar’, ‘Mr & Mrs 55’, and ‘CID’.
Guru’s style of working
Guru Dutt had a unique artistic style of working. He expanded the commercial convention. He used a 100 mm lens close-up shot, which was later known as the Guru shot. The first shot he directed for ‘Pyaasa’ was a close-up shot of a bee draining nectar. His fascination and love for light and shadow were evident in his movies.
Guru Dutt was a diligent artist. While working on Guru Dutt’s dream project, ‘Pyaasa’, Abrar Alvi said, “And it was in those long fruitful evenings that I learned a lot about Guru Dutt’s technique and cinematic expression. He was a man obsessed with cinema.”
The late actor also felt very responsible for the people who worked with him. To not hamper their livelihood, he had decided that every commercially successful movie would be followed by an artistic and risky film. This way, he filled his worker’s bellies and his desire for creative works too.
Later life
According to Yaseer’s book on Guru Saab, Guru Dutt had a troubled relationship with alcohol. On way back from Berlin Film Festival, a disheartened Dutt drank, and used all his sleeping pills. He hadn’t slept for four nights.
Once a friend of Dutt after Dutt’s two failed suicide attempts said, “I am not dissatisfied with life, I am dissatisfied with myself.” His only dream to have a home where he could be at peace after a hard day at work remained unfulfilled.
The late actor mostly got the recognition he deserved after his death. He passed away on the morning of October 10, 1964, at the age of 39. On the day he died, on the side table, was a pink liquid in a glass, some crushed sleeping pills, and a half-read novel.
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